Spotlight/US Giveaway: Once Removed by Colette Sartor

Once Removed by Colette Sartor

Published: September 15, 2019 – University of Georgia Press

Book provided by the publisher and Tandem Literary

Description: Women drive the narrative in ONCE REMOVED. They carry the burdens imposed in the name of intimacy: the secrets kept, lies told, disputes initiated and the joy that can still manage to triumph. A singer with a damaged voice and an assumed identity befriends a silent, troubled child; an infertile law professor covets a tenant’s daughterly affection; a new mother tries to shield her infant from her estranged mother’s surprise Easter visit; an aging shopkeeper hides her husband’s decline and a decades-old lie to keep her best friends from moving away. With depth and an acute sense of the fragility of intimate connection, Colette Sartor creates characters that resonate with familiarity and emotional complexity. Some of these women possess the fierce natures and long, vengeful memories of expert grudge holders. Others avoid conflict at every turn, or so they tell themselves. For all of them, grief lies at the core of love. #onceremovedstories.


About the author:

COLETTE SARTOR teaches at the UCLA Extension Writers’ Program as well as privately and is an executive director of the CineStory Foundation, a mentoring organization for emerging TV writers and screenwriters. Her writing has appeared in Carve magazine, Slice magazine, the Chicago Tribune, Kenyon Review Online, Colorado Review, and other publications. Among other awards, she has been granted a Flannery O’Connor Award for Short Fiction, a Glenna Luschei Award, a Reynolds Price Short Fiction Award, and a Truman Capote fellowship from the Iowa Writers’ Workshop, where she completed her MFA.

Twitter:
https://twitter.com/colettesartor
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Praise for ONCE REMOVED:

“Colette Sartor’s stories shimmer with a radiant, unsettling light. She strips away the veils that we hide behind and exposes our deepest fears and desires, revealing who we inescapably are. The stories are laced with dark humor and raw, earned emotion, and they proceed from page to page with a beautiful urgency. Her prose sings and her wounded characters linger in readers’ memories like people you’ve known, people you could have been had luck gone the other way. This is trenchant, gorgeous fiction, the voice of a writer you’ll follow anywhere, everywhere.” —Bret Anthony Johnston, author of Remember Me Like This

“These are short stories the way they were meant to be told, from a writer who, tale after tale, proves her mastery of the form. Peopled with characters that are bracingly complex, these stories tease out the subtleties of human relationships, especially when they’ve gone awry. I was absorbed and moved from every first sentence to the last.” —Cristina Henriquez, author of The Book of Unknown Americans

“Lordy, what a wallop each of these stories delivers—to the heart and the head, sure, but also to the conscience and the soul, not to mention to the myths of family that we embrace and to the vital lies peculiar to love that we cleave to. Equally stunning is Ms. Sartor’s command of craft—no cleverness for its own sake, no peekaboo, no ‘Look, Ma, no hands.’ Instead, with enviable humility and no little grace, she has subordinated herself to the needs, wishes, desires, and dreams of characters who have galvanized her imagination and engaged her empathy. Bravo.” — Lee K. Abbott, author of All Things, All at Once: New and Selected Stories

Once Removed is that rare book that succeeds on both micro and macro levels; the stories focus on the specific intimacy of individual lives yet also participate in the larger project of a whole world made of these stories—dependent on them, in fact, supported and enlarged and sustained by them. Sartor’s women suffer the internal and external scarring of the dangerous terrain they navigate: love, family, self, community. They ask uncomfortable questions, both of themselves and of the reader; it’s hugely satisfying to reach the end of the book and feel the resonant strength of the answers it proposes.” — Antonya Nelson, author of Bound


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Spotlight/US Giveaway: The Passengers by John Marrs

The Passengers by John Marrs

Published August 27, 2019 – Berkley

Content for this post provided by the publisher

Description:

The headlines have made it known:  driverless cars are coming. And soon. As author John Marrs has put it:  “Whether we like it or not, there are arriving soon. Within the next decade, we will be sitting in the front seats of our vehicles with a flat dashboard containing no steering wheel, and below us, no brakes. We will be in the hands of an operating system that we cannot touch and that we cannot see. It will be making life or death decisions for us. But what if that artificial intelligence could be compromised? What if it is hacked and something – or someone – other than the OS is controlling our destiny?”

Marrs takes that idea and hits full speed in THE PASSENGERS. In it, the British government has mandated all cars be automated. Several years into their implementation, on a seemingly average day, eight people get into their self-driving cars. Suddenly on their journey, the doors lock and the pre-determined route changes. The riders have lost all control. A mysterious voice tells them, “You are going to die.” 

These passengers—an aging actress, a pregnant young woman, an abused wife fleeing her husband, an illegal immigrant, a husband and wife, and a suicidal man—are panicked. From cameras hidden in their cars, their frantic pleas for help are broadcast to millions of people around the world. The public will show their true colors when they are asked, “Which of these people should we save? Who should we kill first?”

The passengers desperately plead for the lives and sell themselves to the cameras blasting this onto social media. But it soon becomes apparent most of these passengers haven’t been picked randomly. They are all hiding secrets that, once revealed, could be the difference between life and death for each of them.


About the author:

John Marrs is the author of The One which is being made into a 10 part Netflix series, The Good Samaritan, Her Last Move, When You Disappeared, and Welcome to Wherever You Are. Until recently, he worked for twenty-five years as a freelance journalist based in London, England, where he interviewed celebrities from the world of television, film, and music for national newspapers and magazines. He has written for publications including the Guardian’s Guide and Guardian Online, Total Film, the Huffington Post, Empire, Q, GT, the Independent, S Magazine, and Company. He is now a full-time author.

Praise for THE PASSENGERS:

THE PASSENGERS is a 1970s disaster movie by way of Black Mirror, with an added dash of technology-gone-wrong straight out of Michael Crichton….If you’re looking for a sleek, exhilarating ride, look no further.”— Financial Times

 

“One can almost hear the Hollywood music in the background as the action unfolds; the plot twists are truly gripping….Summer blockbuster entertainment at its best.”— Kirkus Reviews

 

“[THE PASSENGERS’s] strength lies in its well-developed characters and in its exploration of issues such as the growing role of AI, mob psychology, and the ethics of who gets to decide who lives or dies.”— Publishers Weekly

 

“Marrs excels at thrilling readers by creating a real sense of tension and delivering a believable, harsh criticism of modern society through this dark and entertaining story.” —Los Angeles Times

 

“What a ride!”—Booklist


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Spotlight: The Magnificent Mrs. Mayhew

THE MAGNIFICENT MRS. MAYHEW
by 

MILLY JOHNSON

On Sale: July 29, 2019

 

Purchase Link:

https://www.simonandschuster.com/books/The-Magnificent-Mrs-Mayhew/Milly-Johnson/9781982129781

 

About THE MAGNIFICENT MRS. MAYHEW:

Milly Johnson, the Queen of Feel-Good Fiction and The Sunday Times bestselling author, is back with a “glorious, heartfelt novel” (Rowan Coleman, New York Times bestselling author) about a woman trying to find her own place in the world, who through love, loss, and the kindness of strangers, discovers everything she needs in a village by the sea.

 

Behind every successful man is a woman.
Behind the fall of every successful man is usually another woman.

Sophie Mayhew seems to have the perfect life. The glamourous wife of a rising political star who is one step away from the highest position in the government, she matches her husband in looks, pedigree, and money. But he has made some stupid mistakes on his way to the top, and some of those mistakes are just now threatening to emerge. Still, this can all be swept under the rug so long as Sophie the Trophy plays her part in front of the cameras. But the words that tumble out of Sophie’s mouth one morning on the doorstep of their country house are not the words the spin doctors drilled into her head.

Bursting out of the restrictive mold that has been tightening around her since birth, Sophie flees to a small village on the coast, a safe haven from her childhood days, where she intends to be alone. But once there, she finds a community that warms her soul and makes her feel as if she is breathing properly for the first time in her life. Sophie knows she won’t be left in peace for long, though, so she must decide: where does her real future lie?


About MILLY JOHNSON

Milly Johnson is The Sunday Times bestselling author of numerous novels about the universal issues of friendship, family, love, betrayal, good food, and the little bit of that magic in life that sometimes visits the unsuspecting. Milly is a columnist for her local newspaper and is also an experienced broadcaster on radio and TV. She can be booked via the Women Speakers Agency for motivational speaking events. Milly is patron of several charities, including Yorkshire Cat Rescue and The Well at the Core. Her publishers call her The Queen of Feel-Good Fiction, and together they are aiming to spread as much joy as possible with every book published. Find out more at MillyJohnson.co.uk or follow her on Twitter @MillyJohnson.


Excerpt from THE MAGNIFICENT MRS. MAYHEW:

 

Chapter 1

 

DOORSTEPGATE, 11 A.M.

 

As Sophie stood in the middle of them all, the moment strangely crystalized for her, as if time had frozen solid and she was able to study everything at leisure, appreciate how odd it was to be surrounded by familiar people in the house she had lived in for eight years and yet still feel as if she had been dropped from a great height into a roomful of strangers.

She saw her mother seated, holding a cup of tea in one hand and the accompanying china saucer in the other, talking to her father, who was standing, one hand slotted stiffly in his jacket pocket; his default pose, as if he were a catalogue model. Mother was talking to him and Father had a polite smile of concentration on his face. Standing next to him, her parents-in-law, Clive and Celeste, looking serious and focused as if they were building up to jumping out of a plane. Sophie’s husband, John, deep in conversation with the top pick of his aides: Parliamentary Assistant (London) Rupert Bartley-Green; Senior Communications Director and Press Officer Len Spinks; Chief of Staff Edward Mayhew, who also happened to be John’s eldest brother; and Executive Office Manager (Cherlgrove) Findlay Norris. Between his two governmental bases and the office that looked after his investment and property portfolio, John had more staff than the POTUS, although there was an opening for a girl Friday (London) now, since his last one was currently enjoying her fifteen minutes of fame. The “people” of breakfast and daytime TV, and every program that attracted those the media chose to concentrate its temporary but brightest lights on, were no doubt already negotiating appearance fees with her “people.” Why is it always someone in that junior assistant/intern/researcher role who topples the boss? thought Sophie. Weren’t there enough cautionary tales of littered corpses to warn any man in a high-profile position—who really should know better—what dark and treacherous waters he elected to dip into when he chose a pretty, young, ambitious swimming companion? A pond with a hundred signs around it, all lit up with massive red neon lettering and strings of exclamation marks: warning. danger. come any closer and you’re a bloody idiot!!!!!

It would have been easy for the other woman to fall in love with her husband, though; if that were what it was. John could sell ice to the Eskimos, coal to Newcastle, toys to Santa, and all the other clichés. Charm personified, absurdly handsome, moneyed, intelligent, refined—oh yes, John F. Mayhew was the full package. Sophie could guess how quickly Rebecca Robinson would have become ensnared in his net, even thrown herself into it willingly, because she had done the same thing fourteen years ago, when she was eighteen.

She’d met him at the Christmas Ball when she was in her first year at Cambridge University, studying French, and he was in his last year studying business and politics. He’d been absolutely wrecked on champagne and told her he was going to marry her, before his friends dragged him off for yet more alcohol. She didn’t think much about it until Valentine’s Day, when their paths collided again at a private party. She spotted him long before he noticed her, which gave her the luxury of studying him unseen. He wasn’t her dream type at all, but he was extremely magnetic, and from the way he held himself, it was more than obvious he knew what his best qualities were. He was long limbed and lean, and she imagined him as a human equivalent of a well-bred racehorse, something pampered and valued. Greek-statue profile, midbrown hair that flopped into his eyes— and what eyes they were: puppy-brown, intense, seductive. Eventually, as if detecting the heat in her gaze, his eyes swept around to hers, locked, and she felt powerless, as if she were a hen and he a fox. He sliced through the banks of students that stood between them, mouth stretching into a killer smile, and when he reached her, said:

“Well, if it isn’t you again. Where have you been hiding yourself?”

And from that moment they were a couple. Sophie forgot all about swooning over the rugby player who was in her class, which was a shame because he would end up captaining England and was a thoroughly nice chap, but John F. Mayhew engulfed her brain and was all she could think about.

John F. was going to be richer than Croesus and prime minister one day, he said, and she didn’t doubt that he would be. She could easily forecast his future: top of the tree in his chosen profession, women would adore him, men would want to be him, magazine reporters would queue up outside his door to take photos of the beautiful home he lived in. His children would be perfect and well behaved. Maybe they’d be her children, too. Maybe this was the man her old headmistress Miss Palmer-Price told her would be the one to carry her along in the grip of his force field.

The “F” stood for Fitzroy, he told her postcoitus in bed on the night he took her virginity. His great-great-great-grandfather— Donal F. Mayhew—and his best friend, Patrick, had decided to escape the great Irish famine by emigrating to America in the late 1840s. But an Irish heiress fell hook, line, and sinker for the strong and handsome—if impoverished—gypsy Donal and he changed his mind about going. Donal and his wife eventually moved to London, where his determination both to shake off the label of male “gold digger” and to better himself drove him to build up a fortune in his own right selling property, metal, alcohol, ship parts; anything legal or illegal to trade in order to make a profit. Across the pond, Patrick’s family’s fortunes improved with every generation, too. His great-grandson John F. Kennedy became president of the United States of America. The Kennedys, John said, had stolen the idea of using the “F” from the Mayhews, and in doing so had cursed themselves. As if he couldn’t get any more fascinating, traveler magic was thrown into the mix.

By April Sophie could not imagine living without John F. Mayhew; then in May she found that she’d have to, because he dumped her for the fabulously rich wild child Lady Cresta Thorpe. Sophie was heartbroken. John graduated with honors and spent a year touring the world with Cresta, who had dropped out of university, far preferring to indulge her habits of clubbing, cocktails, and cocaine. His life, so she gleaned from gossip, was shining and golden as hers slipped further into the dark and depressing. Her coursework suffered and she started self-medicating with alcohol to blot out the pain. She also realized that the girls she’d thought of as friends weren’t that hot in a crisis. She had never been good at gathering friends. The beautiful, insubstantial people were attracted to her, but the really nice people found her own good looks intimidating.

It took Sophie a long time to get over losing John F. Mayhew, partly because she didn’t have a group of hard-core pals to help chase him out of her heart. She buried her true feelings deep as she had been taught to at school, threw herself into her studies, never let anyone see how wounded she was. Her heart had just about healed by the time she graduated, give or take the scar he had left.

Months later, Sophie had been working as a temp at the London headquarters of the glossy magazine Mint when she heard that they were to run a feature on a young, successful investment banker, a high-risk taker and up-and-coming politician, at home in his recently acquired, stupidly expensive bachelor penthouse. His name was John F. Mayhew. Sophie’s heart started to race. She wangled it so she accompanied the reporter and the photographer, desperate to show herself off at her best to him: content, happy, preened, and perfect— unattainable and indifferent. Or so she thought.

He was overjoyed to see her, ridiculously so, and she was gracious enough not to dampen his delight with a long-overdue rebuke for dumping her so callously. He asked her out to dinner and she accepted, merely for old times’ sake, sure that if he asked to see her again, she would politely refuse, walk away, having shut the door firmly in his face this time.

He had never forgiven himself for the caddish way he had behaved, he said in Le Gavroche. He’d been glamoured by Cresta’s glitzy veneer, but it was mere infatuation. He hadn’t realized how much he felt for Sophie until he lost her. Sophie was in love with him all over again before the dessert menus had been delivered to them.

Six months after the photos of his bachelor pad had been published, John F. Mayhew had moved out and into Park Court, a beautiful, if run-down, country residence—a wedding present from his parents for himself and his new bride-to-be, the sublime Miss Sophie Calladine. She ignored that little voice inside her that warned her about the speed of all this, the worm burying into her happiness. Is this the real deal, Sophie, or are you just grateful to be loved?

To a woman starved for affection, the full spotlight of his attention was blinding, disorientating—of course she knew this. She had gulped it like air seeping through a hole in a vacuum. For that reason, it would be too easy to let that worm convince her that genuine love was not her primary reason for accepting John’s marriage proposal: but it was, it really was. It had to be said, though, that her heart was whooping considerably that she had also earned parental approval for her choice of husband, and she could even hear the echoes of applause from her old headmistress, nodding consent from the afterlife: I knew you’d be a credit to St. Bathsheba’s in the end, Sophie, like your sisters and your mother before you. But she did love him very much. Enough to have sacrificed her own wants and needs on his altar for the past eight and a half years. Enough to be standing here with her heart ripped open in this roomful of people who were looking at her to mend her marriage. Because by doing that, Sophie Mayhew would mend everything.


 

Spotlight/US Giveaway: If You Want To Make God Laugh

If You Want To Make God Laugh by Bianca Marais

Published July 16, 2019 – G.P. Putnam’s Sons

Description: From the author of the beloved Hum If You Don’t Know the Words comes a rich, unforgettable story of three unique women in post-Apartheid South Africa who are brought together in their darkest time and discover the ways that love can transcend the strictest of boundaries.

In a squatter camp on the outskirts of Johannesburg, seventeen-year-old Zodwa lives in desperate poverty, under the shadowy threat of a civil war and a growing AIDS epidemic. Eight months pregnant, Zodwa carefully guards secrets that jeopardize her life.

Across the country, wealthy socialite Ruth appears to have everything her heart desires, but it’s what she can’t have that leads to her breakdown. Meanwhile, in Zaire, a disgraced former nun, Delilah, grapples with a past that refuses to stay buried. When these personal crises send both middle-aged women back to their rural hometown to heal, the discovery of an abandoned newborn baby upends everything, challenging their lifelong beliefs about race, motherhood, and the power of the past.

As the mystery surrounding the infant grows, the complicated lives of Zodwa, Ruth, and Delilah become inextricably linked. What follows is a mesmerizing look at family and identity that asks: How far will the human heart go to protect itself and the ones it loves?


About the author:

Bianca Marais is the author of Hum If You Don’t Know the Words. She holds a certificate in creative writing from the University of Toronto’s School of Continuing Studies, where she now teaches creative writing. Before turning to writing, she started a corporate training company and volunteered with Cotlands, where she assisted care workers in Soweto with providing aid for HIV/AIDS orphans. Originally from South Africa, she now lives in Toronto with her husband.

Praise for Bianca Marais:

“Set against the backdrop of the Mandela presidency, the Afrikaner Resistance Movement, and the burgeoning AIDS epidemic, the story offers a look into the staggering emotional cost of secrecy, broken family bonds, racism, and sexual violence. Marais once again showcases her talent for pulling beauty from the pain of South African history with a strong story and wonderfully imperfect characters.” Publishers Weekly

“A moving portrait of the choices women can make–and the ones we can’t. Beautifully crafted and powerfully drawn, this book had me in tears.” —Jill Santopolo, bestselling author of The Light We Lost and More Than Words

“A story of three remarkable women at crossroads in their own lives against the backdrop of South Africa at the moment of stunning transformation that will keep you reading late into the night. Marais deftly completes a writer’s hat trick, leaving you gutted, smiling through tears and soaring with hope.” —Steven Rowley, bestselling author of Lily and the Octopus and The Editor

“You will absolutely love this book. You will. Why? Because Bianca Marais’s heart is immense and full of love. With unsparing insight into the human condition, she unspools a tale that is at once heartbreaking as it is merciful, validating our frailty while eulogizing our endless capacity for generosity and love. We all need the deep refuge of Bianca Marais’s exceptional voice.” Robin Oliveira, author of My Name is Mary Sutter and I Always Loved You

“Radiant…A stirring ode to a country’s painful maturation.” O, The Oprah Magazine on HUM IF YOU DON’T KNOW THE WORDS

“Richly drawn…[The characters’] journeys and eventual love poignantly demonstrate that nothing is simply black or white.” USA Today on HUM IF YOU DON’T KNOW THE WORDS

 “With its vivid, emotional scene-setting, alternating narration and tense plotting, this novel is a thoughtful, compelling page-turner.” Good Housekeeping on HUM IF YOU DON’T KNOW THE WORDS


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Spotlight on The Good Sister by Gillian McAllister

The Good Sister by Gillian McAllister

Published June 11, 2019 – G.P. Putnam’s Sons

Description: An electrifying novel about the unyielding bond between two sisters, which is severely tested when one of them is accused of the worst imaginable crime.

Martha and Becky Blackwater are more than sisters–they’re each other’s lifelines. When Martha finds herself struggling to balance early motherhood and her growing business, Becky steps in to babysit her niece, Layla, without a second thought, bringing the two women closer than ever. But then the unthinkable happens, and Becky is charged with murder.

Nine months later, Becky is on trial and maintains her innocence–and so does Martha. Unable to shake the feeling that her sister couldn’t possibly be guilty, Martha sets out to uncover exactly what happened that night, and how things could have gone so wrong. As the trial progresses, fault lines between the sisters begin to show–revealing cracks deep in their relationship and threatening the family each has worked so hard to build. With incredible empathy and resounding emotional heft, The Good Sister is a powerhouse of a novel that will lead readers to question everything they know about motherhood, family, and the price of forgiveness. (publisher)

About the author:

Gillian McAllister graduated with a degree in English from the University of Birmingham. She lives in Birmingham, England, where she works as a lawyer. She is the author of Everything But the Truth and Anything You Do Say, both Sunday Timesbestsellers in the UK. THE GOOD SISTER is her US debut.


THE GOOD SISTER by Gillian McAllister

On Sale June 11, 2019 | G. P. Putnam’s Sons | Hardcover ISBN: 978-0-525-53939-1| 

Price: $16.00  

Praise for Gillian McAllister

“With fast-paced prose and several unexpected twists, [Gillian McAllister] skillfully weaves a web in which any of the characters might be the guilty party… a suspenseful courtroom drama full of poignant flashbacks and unique insights.”

—Kirkus Reviews

 

“British author McAllister makes her U.S. debut with this riveting psychological thriller…Authentic courtroom scenes, intricate family dynamics, the conflicts of motherhood, and a shocking ending all add up to a winner.”

Publishers Weekly

 

“With The Good Sister, Gillian McAllister explores the exclusionary power of intimacy. She captures that feeling of being in the circle of trust, outside of it. You come away with whiplash from empathizing with each character, even the judge. This is a deeply gratifying, taut courtroom drama and so much more. I don’t know how Gillian did it, but I’m so happy she did.”

Caroline Kepnes, author of You and Providence

 

“I’ve just raced through the impressive The Good Sister. Loved this gripping and thought-provoking read!”

—B.A. Paris, author of Behind Closed Doors

 

“I read it in a breathless day and a half. Such a perfect balance of courtroom drama and family drama, so smooth and assured, it just flowed, seamlessly. I loved every page, every character, every twist and turn.”

Lisa Jewell, author of Then She Was Gone

 

“I was totally swept up—and challenged—by this dark courtroom drama and am still wrestling with the brilliantly written dilemma at its heart.”

Fiona Barton, author of The Child and The Widow

 

The Good Sister is an ingeniously constructed courtroom drama with real flesh-and-blood characters and cliff-hanging suspense.”

Louise Candlish, author of Our House

 

“An emotionally charged story about two sisters torn apart by the death of a child, it explores the joys and challenges that come with motherhood with a twist I didn’t see coming.”

Hollie Overton, author of Baby Doll and The Walls

 

Heart-rending and brilliant. Such incredible storytelling.”

Jill Mansell, author of This Could Change Everything


 

Spotlight/US Giveaway: Those People by Louise Candlish

Those People by Louise Candlish

Published: June 11, 2019 – Berkley Books

Description:

From the author of the international bestseller Our House, a new novel of twisty domestic suspense asks, “Could you hate your neighbor enough to plot to kill him?” 

Lowland Way is the suburban dream. The houses are beautiful, the neighbors get along, and the kids play together on weekends.

But when Darren and Jodie move into the house on the corner, they donʼt follow the rules. They blast music at all hours, begin an unsightly renovation, and run a used-car business from their yard. It doesn’t take long for an all-out war to start brewing.

Then, early one Saturday, a horrific death shocks the street. As police search for witnesses, accusations start flying—and everyone has something to hide.


About the author:

‘A superb thriller’ Washington Post on OUR HOUSE

Now a #1 bestseller in paperback, ebook and audio and shortlisted for the British Book Awards 2019 Book of the Year – Crime & Thriller!

Louise Candlish studied English at University College London and worked as an editor and copywriter before writing fiction. OUR HOUSE, published in the US by Berkley and by Simon & Schuster in the UK, has been picked as a Book of the Year by the Guardian, the Daily Mail, the Washington Post, Publishers Weekly, Real Simple, Red and Heat.

Louise lives in South London with her husband and daughter. Follow her day to day on Twitter at @louise_candlish or get updates at www.louisecandlish.com


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Spotlight/US Giveaway: The Dream Daughter by Diane Chamberlain

The Dream Daughter by Diane Chamberlain

Paperback published June 4, 2019 – St. Martin’s Griffin

Book courtesy of the publisher and Tandem Literary

Description: When Caroline Sears receives the news that her unborn baby girl has a heart defect, she is devastated. It is 1970 and there seems to be little that can be done. But her brother-in-law, a physicist, tells her that perhaps there is. Hunter appeared in their lives just a few years before—and his appearance was as mysterious as his past. With no family, no friends, and a background shrouded in secrets, Hunter embraced the Sears family and never looked back.  

Now, Hunter is telling her that something can be done about her baby’s heart. Something that will shatter every preconceived notion that Caroline has. Something that will require a kind of strength and courage that Caroline never knew existed. Something that will mean a mind-bending leap of faith on Caroline’s part.

And all for the love of her unborn child.

A rich, genre-spanning, breathtaking novel about one mother’s quest to save her child, unite her family, and believe in the unbelievable. Diane Chamberlain pushes the boundaries of faith and science to deliver a novel that you will never forget. (publisher)

My take: (originally published October 1, 2018)

What would you do to save your unborn child, the last connection to your husband who was killed in the war? Caroline (Carly) Sears’ answer is “anything”. And that is why she agrees to travel to another time to get medical help for her daughter’s heart. If she doesn’t, her baby doesn’t have much hope of survival after her birth. Carly will do whatever it takes to give her daughter a chance at life.

So the question I began with led to other questions such as could I place trust in a friend like Carly did in Hunter, her brother-in-law? Could I be as brave as Carly? Would I be able to travel alone to a place where I knew no one and then deal with life-altering issues? After finishing I don’t have an answer for every question but I would aspire to be as courageous as Carly.

Diane Chamberlain’s time-travel story is very accessible to readers who normally don’t go in for that sub-genre. That would include me! This novel is a true page turner that had me looking forward to getting back to the story whenever I had to set it down. It’s an emotional story that covers several decades from the 1960s to the 2020s. I enjoyed it all and recommend it to fans of Diane Chamberlain.


Praise for THE DREAM DAUGHTER:

“This mind-bender of a novel will keep you glued to the page.”—People Magazine

“We may forget how different life was in 1970, but imagine being thrust from those days to 2013. Diane Chamberlain does in this terrific novel.”—NJ.com, Top Ten Books of 2018

“Chamberlain stretches her sense of familial relationships with toe-curling suspense in new directions, weaving in elements of trust, history, and time as she explores the things we do for love. With a little tension and a lot of heart, The Dream Daughter will delight.”—Booklist

“Chamberlain writes with supernatural gifts akin to those she chronicles in the book, seamlessly weaving time travel and global events into a credible and gut-wrenching family saga. Fate, destiny, chance and hope combine for a heady and breathless wonder of a read.”—Pam Jenoff, New York Times bestselling author of The Orphan’s Tale**

“Can a story be both mind-bending and heartfelt? In Diane Chamberlain’s hands, it can. The Dream Daughter will hold readers in anxious suspense until the last satisfying page.”—Therese Fowler, New York Times bestselling author of Z*

“Rich and breathtaking.”—Woman’s World

The Dream Daughter is a heartwarming and exciting page turner.”—Augusta Chronicle 

“Chamberlain’s exciting and heartfelt novel is a page-turning crowd-pleaser.”—Publishers Weekly

“The story is well-paced and the ending satisfyingly sweet.”—Kirkus Reviews

“An entertaining chick-lit adventure.”—Wilmington Star-News


About the author:

Diane Chamberlain is the international bestselling author of 25 novels. She lives in North Carolina with her partner, photographer John Pagliuca, and her sheltie.

Connect:

Website: https://dianechamberlain.com
Facebook: https://www.facebook.com/Diane.Chamberlain.Readers.Page
Twitter: https://twitter.com/d_chamberlain
Instagram: https://www.instagram.com/chamberlain_diane/


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